Extremely loud and incredibly close pictures in book
Extremely Loud and Incredibly Close by Jonathan Safran Foer
The book presents several photographs in black and white, colors, blank pages, pages marked up with red pen, overlapping words, pages with only one word or sentence, among other elements. This closeness brings the idea of interaction between reader and narrator. There are not many novels, in the tradition of postmodernism [i] , which rely on elements other than the written word. Extremely Loud and Incredibly Close , a postmodernist novel written by Jonathan Safran Foer, makes use of unorthodox elements to complete the narrative. Among them the reader can find several photographs in black and white, colors, blank pages, pages marked up with red pen, overlapping words, pages with only one word or sentence, etc.Extremely Loud and Incredibly Close

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It promises to take you to Ground Zero, but helplessly detours towards the Land of Oz, spending most of its time journeying through the Neverlands in between. It was especially its use of visual devices that critics disapproved of., This was an unusual win on two counts. Although Foer took some photographs himself most were sourced from stock libraries, web sites and The New York Times.
Find out more at shannonmeyerkort. Published April 14th From the first few lines of Extremely Loud and Incredibly Close you are dropped, Wonderland style, down a rabbit hole of extremely busy and not always sense-making thoughts. The cover image of Extremely Loud and Incredibly Close. The Falling Man is referenced throughout the novel.
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Picturing The Language of Images, Cambridge Scholars Publishing, Jonathan Safran Foer's novel Extremely Loud and Incredibly Close won the Book .
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