Paperwork and the will of capital book
Taryn Simon: Paperwork and the Will of CapitalTo purchase this item directly from our New York Shop, please send us an email or call us at the number below. Texts by Daniel E. The economist and investigative journalist Nicholas Kulish discusses the shakeable world order since , as seen by Simon in her body of work, and the botanist Daniel Atha looks at adaptation and survival in the plant world as a mirror for human political action. A short story by the fiction writer Hanan Al-Shayk winds in and around the work, extending and contextualizing its meaning. Her methodology, often scarcely visible in the final product, is a valuable resources that should be explored in itself. This vibrantly illustrated publication is an essential accompaniment to the work.
These flowers sat between powerful men as they signed agreements designed to influence the fate of the world. The new series comprises twelve unique sculptures and thirty-six editioned photographs. The photographs—large, colorful, and spectacular, with a nod to Pop art, and custom-framed in mahogany to emulate the style of boardroom furniture—speak to the bombast of national and corporate symbolism; the sculptures—stylized concrete flower-presses containing delicate preserved floral specimens and their documentation—operate in a discrete and classified zone. Simon takes empirical photography into the field of post-conceptual practice, with exacting attention to aesthetic and formal concerns. In Paperwork and the Will of Capital , Simon examines accords, treaties, and decrees drafted to influence systems of governance and economics, from nuclear armament to oil deals and diamond trading. In images of the signings of these documents, powerful men flank floral centerpieces designed to underscore the importance of the parties present.
His Hortus gramineus Woburnensis catalogues the results of soil and planting experiments conducted to enhance the performance and nutritive value of various types of grass cultivated for animal fodder. Plant communities composed of diverse species, Sinclair found, produce a greater yield than less species-rich plots. The sculptures can also be exhibited in a closed format on a half-scale press with the top weight surmounting its singly stacked pages. Her project originated in her observation that in photographs documenting the ratification of official treaties an arrangement of cut flowers typically adorns the setting in which signatories convene. Such bouquets, Simon proposes, parallel the arrangements and rearrangements of power they ceremonially mark. Culling newsreels and image databases, Simon began by selecting thirty-six press photographs of ceremonial signings dating from to , spanning dozens of nations and sectors of trade and diplomacy—from intellectual property to labor relations, nuclear armament, and land repatriation.
Paperwork and the Will of Capital. Texts by Daniel E. Atha, Kate Fowle, Nicholas Kulish, and Hanan al-Shaykh Published by Gagosian and Hatje Cantz Verlag.
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